I think its fair to say 1993 was the year the US Garage-House sound really came together: primarily, but not exclusively, east coast producers innovating and giving birth to house tunes that were built on a trademark shuffle and swing drum feel, topped with organ stabs, piano vamps, vocal snips and synth horns (a sound not to be confused with the earlier post-disco 'garage' of the Paradise Garage). I like to call it USG!
There were some earlier pioneering tunes that had the swing - a couple of tracks in this mix are from 92 - but 1993 was the year the sound really coalesced and took off. 1993 was also the year those garage-house imports landed in London and started giving birth to what would become the UK Garage scene; there are a couple of London productions from Kid Batchelor and Grant Nelson in this mix too. All in all another landmark moment in music history...
This mix here rolls through some of my favourites from that pivotal time...such sweet, soulful, sublime, swinging music. A big dedication on this to the London pirate pioneers London Underground 89.4 and Freek FM 101.8 crews, sending a shout out to the Southside Sessions crew, and nothing but respect to the producers.
Get 'Em Up! The Original 1993 Shuffle and Swing US Garage-House Sound
Roy Ayers: The Vibesman Tribute (plus exclusive free edit for download)
Amongst all the incredible soul-jazz-funk US musicians of the 1970s Roy Ayers was a one-of-a-kind legend, producing some of the most perfect, wouldn't-change-a-note music the world has ever seen. I think what I love about his attitude to music is that despite being a jazzman who can solo and play as complex as the next cat he chose to go down the path of making effortless grooves, choosing minimalist perfection over overly busy workouts. I think this is much harder to do than many people realise... Some jazz heads at the time were upset by this turn...they were of course wrong...the most profound truths have a simplicity to them and his music at its best rings with truth.
Roy was originally from California and even though he was based in New York in the 70s I think it makes sense to think of his music next to that of fellow Californian's George Clinton and Sly Stone, who all in their unique ways share that LSD-enlightened kicked-back sunshine conscious grooving mentality. I love this state of mind and the music that captures it....I've done tributes to both George and Sly on the blog (click on names to go to those). What a time.
On to the mix: kicking things off with my own exclusive edit which brings together two early Roy Ayers classics, Life Is A Moment and We Live In Brooklyn Baby. I think the messages of both these tunes fit together neatly. If you like this one I'm offering this as a free download: click here to grab it.
Next the Ubiquity classic Searching, the first RA tune I fell in love with, sentiment and music coming together in perfect sweet-melancholy harmony, followed by two back to back tunes from the seminal RAMP (Roy Ayers Music Project), Come Into Knowledge…so gentle and sublime this one, slays me, psychedelic spiritual soul at its best followed by the incredible and somehow only recently released Paint Me Any Color - colours! colours! colours! haha yes!! I wish there was more acid-soul out there...we need reminders how beautiful reality is despite all the horrors.
From there slipping into the first synth groover of the mix, Roy's restrained use of synths was one of his trademarks...It's Your Love is a Roy Ayers production fronted by vocalist Ethel Beatty... chord progression on this one is nailed on, love the slightly tense mood. Sticking with the tense-love theme for a minute, One Sweet Love is some great off-beat funk, brilliant drums on this and love the vocal attitude.
Next smoothing things out with the instrumental Lifeline, showing off some of Roy's beautiful vibraphone playing skills, then on to a possible contender for my all time RA favourite, Together, a p-funk groover in a 6/8 time signature (count 6 not 4), and the killer lyrics have that unity message which will never get old. Sticking with straight grooving dancefloor boogie for the next few, the pure sunshine and togetherness of Everybody followed by the groundbreaking proto-house genius of Chicago - look for the full length mix on the UK-only Silver Vibrations LP for this one, the versions elsewhere are a shortened edit...though I also had to fade a little early for the mix...could listen to that groove all day.
Sticking on the dancefloor with Happy Music, another RA production/arrangement, deceptively innocent and simple but you cant change a thing about it, which came out on Roy's Uno Melodic label where a lot of his classic productions can be found, including planet-conquering tunes like Eighties Ladies' Turned On To You and Sylvia Striplin's You Can't Turn Me Away. There's a good comp called The Best of Uno Melodic that came out in 2018 worth checking. Last in this section the blistering jazz-funk dancefloor bomb Time Is Coming - possibly the most rip-roaring Roy Ayers tune of all time.
As the 70s turned into the early 80s Roy recorded and toured with Fela Kuti which inspired some classic afro-centric black-consciousness tunes, a couple of which here - first up the clearly Fela-inspired Black Family - serious - credit to Roy Ayers for taking on the pidgin-English style of Fela and making it work so powerfully - followed by the much earlier record 2000 Black, a tune reworked with Roy Ayers by 4Hero in 2001 and which gave its name to their broken beat label 2000 Black. Got to shout Marc Mac and Dego here, in the days before the internet it was Marc Mac who first introduced me to some deeper Roy Ayers tunes like Love From The Sun from playing them on the radio. Really wanted to include that in the mix but ran out of space and I've played that on the blog before on a previous Spring Sun Soul mix here. There's an amazing Dee Dee Bridgewater version of Love From The Sun thats well worth seeking out too.
Finishing with what seemed a fitting message Thank You Thank You for the music Roy and for making life much better! An antidote to the insanity of the world.
As spring is here I'm including this mix as part of the annual Sun Spring Soul series - beautiful soul-inspired music that suits the season - check out all the previous editions of that here.
Ashanti Selah Vibes Up!
Some sanity for these crazy times: this one is a showcase of the heavyweight production talents Ashanti Selah, son of London's roots soundsystem master Aba Shanti-I. Alongside the likes of Joe Ariwa (son of Mad Professor), Young Warrior (son of Jah Shaka) and Alpha Stepper (son and nephew of Alpha & Omega) Selah is one of a generation of producers carrying on and developing in their own ways the tradition of their families, keeping dubwise roots soundsystem music vital into the 21st century....living proof this music is no fashion but a living breathing growing culture that carries on regardless of the commercial pressures and latest trends.
Listen for yourself but I think he couldn't be more worthy of carrying on his fathers works - real humble lion style, in personal attitude and in the tone of his music. I wonder if one day we'll see him taking on the soundsystem itself... Ashanti Selah Music on bandcamp here. All tunes here from the last few years, produced by Ashanti Selah with vocalists, instrumentalists and co-producers listed. Turn it up.
Ashanti Selah Vibes Up!
1990s Jungle & DnB Classics - Remixed Refixed and Rerubbed!
This ones a special: classic jungle and DnB tracks from the 90s that have been revisited and brought up to date by some of the best modern producers, mixed back to back to back. All makes for an a-list tracklist, the biggest names from the scene then and now. Revisiting a classic tune can be a daunting task - not something you want to get wrong. I think the ones here are all well worthy of the original and do them justice.
High quality audio download link
>>Watch and Listen On Youtube<<
Festival House Bombs - Shack Anthems Mix
As we come in to the summer months I thought it a good time to pull out a selection of the type of tuff house tunes I've been playing alongside my Shack crew at summer festivals over the last few years. Have avoided recording a mix of these kind of tunes up till now as they're the sort of tunes that work best on a soundsystem... A range of house styles on here, jacking, ravey, acid, breakbeat, tech, bass, funki, - I love it all - and every track on here is a certified tried and tested ravers selection dancefloor bomb. Nothing but love to all the Shack family, each and every ❤️
Follow us: https://www.instagram.com/we_are_shack/
Daz Ellis - The Jungle Pioneer - Tribute Mix
It's very sad news that Daz Ellis has recently died at just 54 years old. For 90s junglists Daz has a very special place in the pantheon of the greats. In 1995 he put out a bunch of amazing records, but two 12s in particular have a strong claim to be the best jungle records of that seminal year, and up there at the top of any all-time greatest jungle records lists.
The back-to-back releases of Oh Gosh and Babylon were lightening in a bottle, Oh Gosh about the most uplifting rootsy amen tear out going, and Babylon surely the most militant smash-the-system hardstep jungle record ever made. Both are marked by incredible drum programming, killer basslines, and the arrangements not just copy and paste jobs, they develop and travel from the top to the last drop. Masterpieces both.
And the B sides of both records are personal favourites too, The Instrumental has got some utterly unique drum programming on it, and Heaven is one I played to death at the time, deep and dubwise, a beautiful heavyweight mystic piece of music.
What I think all Daz's tunes have in common is dub soundsytstem logic...these are tunes that really come to life played on a set with the bass allowed to pump. If you don't play them at volume you miss half the point. I really do think he was a pioneer of that dub-logic jungle sound - he certainly played an important part in it. And with rocksteady legend Alton Ellis as his uncle and his dad also involved in JA music perhaps that's not such a surprise.
Something I never knew until his passing was the he was the man behind setting up Essex pirate radio station Cyndicut FM. This was the station in the far east of London Essex borders and also reached over the Thames estuary to north Kent. It turns out the reason for this wide broadcast zone was that they had the transmitter up on the biggest pylon you've ever seen! Cyndicut is still broadcasting online to this day and remains one of the best pirates in the country
https://cyndicut.net <check them out.
All in all the man is a legend, one of those figures that may not be a household name but has done so much for the culture. A life well lived, and the music lives on. Mix here includes my favourite of his productions, across some of his different aliases. Play it loud.
Dubwise Sound System UK Garage
For this mix I've pulled out an hours worth of UK Garage tunes that have a proper dubwise soundsystem spirit behind them. Heavy basslines, plenty of reverb and echo over shuffling garage beats.... This is the second in a two-part soundsystem mix mini-series, the other half Dubwise Soundsystem DnB! For both these mixes I've set some cameras up around the decks and filmed the sets live. For those who like to see whats happening on the mixer check out the YouTube video. But for the best audio quality always download the mix for 320kb quality - YouTube does compress and reduce the bit rate as standard.
Dedication on this one goes out to my Southside Sessions family... Big night of underground garage sounds incoming from us this spring at Peckham Audio...
Dubwise Sound System Drum & Bass
1993 Deep Dark Dirty DnB - 30th Anniversary Mix
1993 was a unique year in dance music, an unforgettable one for me personally, and I think one of the high water marks of British electronic music.
New York and London were power houses. On the US east coast you had crew 'hardcore' rap blowing up (Leaders of the New School, Wu Tang, Lords of the Underground etc), whilst on the house scene there were the first tunes with a clear garage shuffle (Todd Edwards, Masters At Work, Swing 52 etc), which would go on to seed the UKG sound a couple of years later.
In Britain the full-throttle-techno scene was booming with the infamous Club UK opening in London and Spiral Tribe doing illegal acid techno damage, ambient techno hit a new gear with classic releases from Aphex Twin, B12, Black Dog etc, but for me the most exciting music came out of the breakbeat rave scene, with a new wave of innovations that took things faster, wilder, and off in new directions. By the middle of 1992 the average rave track had zoomed away from house grooves to around 140bpm, but by the end of 1993 160bpm had become the new standard.
And within that new tempo bracket a slew of sub genres were born. There were tunes that kept with the rave stab and piano feels of 1992, but also deeper, so-called intelligent rollers most associated with Bukem and his Good Looking label, stompier jungle techno cuts championed by the likes of Tango & Ratty, the first classic no-longer-proto jungle tunes, happy hardcore was in its infancy, and above all there was a huge amount of darkcore tunes, squeezing bizarre new sounds out of the available technology. Whilst it was not uncommon to hear tunes from all of the above on a night out or played together on pirate radio in my experience the dominant sound were tunes that lent towards the deep the dark and the dirty.
It has to be said that a lot of people bailed out of the rave scene at this point, due to the darker turn in vibe and direction. One reason for the change in mood that doesn't get talked about much was a change in drug use. The pure loved-up empathy inducing MDMA of the second summer of love was replaced by "pills", which could have all manner of drugs within them. One infamous and common batch in 1993 was the Snowball. Supposedly these weren't MDMA but MDA - a very different, more psychedelic thing it turns out.
I read once that the source of these snowballs came from a government laboratory in Latvia. After splitting from the Soviet Union, Latvia needed Western currency and had the advantage of no drug laws, so they joined up with a German businessman to produce MDA for export as Ecstasy. This went well for a couple of years until a consignment of 10 million tablets was intercepted in Frankfurt airport, since when MDA has been rare. This along with increased use of coke and crack must surely have had a partial effect on the sound, leading to a new intensity and I would go as far as to say profundity....some serious tunes in 93!
So yeah, the mix here focusses on some personal favourites in that deep dark and dirty vein - these are the kind of tunes that spring to mind when I think of 93....sounds like had never been heard before, nasty drum programming and a mystical ruff ride down long dark tunnels and occasionally back out into the light.
I love 93 to bits so I really wanted to get this mix just right and ended up putting several weeks into this, tweaking the track selection and order, working out double breakdowns and double drops and practising the long mixes...hope you enjoy it. Big dedication to everyone who likes it dark and to all the 93 heads, 30 years on and still rolling... x
Jah Shaka Music - Tribute To The Zulu Warrior
Jah Shaka has died and I find it hard to not feel resentment to the way that his life and legacy has barely warranted a mention in the UK mainstream media. Maybe I shouldn't be surprised, but what with there being a current mood of recognising the importance of black history and culture amongst institutions who previously didn't, at least on that level I'd expect more interest. For Shaka is a huge figure in not just roots reggae, not just soundsystem culture, not just British music, but music and culture globally. The extent of his influence is perhaps not fully recognised.
1980s Jamaica gradually saw a shift in the dominant musical message, moving on from a sacred Rasta driven message to the more profane dancehall sound. But here in the grey and politically tense London streets of the 1980s Shaka not only kept alive that message but reinvented it into a more militant sound, creating a template which would lead to a wave of new UK dub producers in the 1990s, and in turn inspire producers around the world from 2000s onwards.
There were many other soundsystems in the UK at the time but through his works I would say Shaka more than any other solidified a pure, forward stepping, uncorruptible musical attitude, a bedrock of so much music that followed. Shaka elevated soundsystem culture to the highest of heights. He is a shining example of how a great DJ isn't just blankly playing other peoples records but can make those tunes their own, and can make the playing of records equal to playing an instrument.
He schooled and inspired a generation. He united a multi-ethnic audience under an uncompromising universal Rasta message. He walked the narrow path without ever faltering, with no commercial compromise, guided purely by an unshakeable spiritual sense of justice and righteousness.
Shaka's selection is a genre of its own, many an obscure tune can be filed as a 'Shaka Killer'. But Shaka was also a producer, and his label Jah Shaka Music a crucial home for his unique UK roots sound. For this tribute mix I'm playing some favourites released on the Jah Shaka Music label, 80s, 90s, and 00s. The majority feature Shaka as producer and sometimes vocalist, though there are also some tunes here produced by Shaka's son Young Warrior, Mad Professor, and others. Am playing these tunes live here in a soundsystem style... Love to all Shakaites.... Jah Shaka never to be forgotten, message will live forever...Journey on...
Still Cool - To Be Poor Is A Crime
Jah Shaka - My God Version
Tuff Garage Set - Live at Southside Sessions
This is a recording of me playing the final set at the xmas Southside Session at the Fox in Lewisham. The recorded audio was coming straight from the mixer so is without the vocals of the mighty MC Profit who was on the mic for this. A whole bunch of recordings (including download links) from the night are now up on the Southside Sessions Youtube channel - do check them out and subscribe as there'll be more recordings going up there in the future.
Was a great night, pure vibes. Here I'm playing mainly nuskool tracks with a couple of older nuggets in there for good measure. Big tunes guaranteed. You can check my set out on Youtube:
On Mixcloud
Or can download it as a 320mp3 by clicking right here.
Things are going really nicely with the Southside Sessions crew, lots of things lined up for the year ahead, next up, big big line up for the March session with headliners Jeremy Sylvester and Benny Ill no less. That's going to be a heavy one. Hope you can join us! Get your tickets here.
Robert Owens: A Tribute to The Voice of House Music
From the start House music has always been euphoric but it is also the sound of struggle...the pain of the black, and gay, US experience is often right there in many of those early Chicago house records, and Robert Owens voice and lyrics capture it like no one else....hurt, love, liberation, pain, ecstasy.
In this mix I've concentrated more on the modern productions that he sings on. The classic records with Larry Heard are well known, but if you are new to him and don't know them then do get hold of the 1988 album Another Side < an all time classic. Kicking off this mix with the first Fingers Inc release from 1986.
His legacy runs deep and it seemed right to run out the mix with a few of the great UK Drum & Bass records he's vocalled on. Also look out for a little dubplate special in there, a cover of Larry Heard's Can U Feel It from my man Fez, with additional production touches from me.
~roots~
Felix Dickinson - A Day's Reality (Classic Mix)
~searching~
Riva Starr - Searchin'
London Elektricity - My Dream (Searching Dub)
Icicle - Redemption (Alix Perez Remix)
D* Minds x Bladerunner - Deep Inside
MISTiCAL - Believe
Download Link
Behold The Spear! Burning Spear Classics, Versions, Rarities and Dubplates
What came next was higher-level yet - the 1975 Marcus Garvey album produced by Jack Ruby, is a start-to-finish roots classic. This was snapped up and remixed by UK's Island Records, which with Island's distribution power allowed for the music to reach a wider audience and cement his legendary legacy on the global stage. Not many people outside of JA have heard that original Jack Ruby non-Island recording, as the vinyl is rare and no quality reissue (CD or otherwise) has been released - it is also stringently copyright-blocked online. Hopefully one day that will be reissued with the care it deserves.
For me perhaps more than any other singer Burning Spear captures in his voice, lyrics and writing that true humble lion power: strength, humbleness, love and Rasta consciousness in perfect combination. He had the grounding spirit of an elder even at a young age.The spear burns on and on...
1975-1978 Roots Heights
Driver
20 Minutes of Hype!! Drum and Bass Bombs
A little 20 minute hype upfront DnB mix incoming!! Bomb after bomb, quick fire, blasting!! Some hype energy to gear up ahead of some upcoming summer parties...and so on that theme taking this post to say you can catch me DJing in the coming weeks at:
Latitude Festival July 21st onwards on Thursday, Friday, Saturday and Sunday night with the Shack family - house, party classics, DnB, jungle, reggae, vibes.
Our very own Southside Session returns on Friday 29th July to The Fox in Lewisham - house and garage selections alongside Jeremy Sylvester, DJ Fen, Onyx Stone and more. Next Southside Session Saturday 22nd October, plus more dates to come before the year is done!
Mucky Weekender Friday 9th September and Saturday 10th September with the Shack crew - reggae, house and DnB selections. Great festival this - brilliant line up. Mucky!
Oh and if you like a spot of DnB and are in London do check out the return of top night Launch, taking place at Elektrowerkz, Angel Islington, Friday 8th July - will be big, guaranteed, and great to see it back post-pandemic.
Twisted Individual - Bagoshite (Isaac Maya Remix)
Toxinate - Bumbaclart Wobbles
Trex - Dopamine (VIP)
Pengo & Magenta - Elevate
Andy Slopes and Madcap - Scatter
Uneak - Sound Boy Hear This
Dub Phizix - Slush Puppeh
De-Tune - Vatican Cameo
Taxman - The Fever
Ray Keith - Dark Soldier (Benny L Remix)
Download Link
Back To The Future 1992 Rave Mixtape
The UK breakbeat rave sound of 1992 celebrates its 30th anniversary! I'm marking this milestone with a mixtape: in a classic C90 cassette style two sides of 45mins each, taking in the spectrum of sounds of the era. It was a year when tempos raced ever faster and so the theme here is Side A has tunes at the 130-140 bpm mark, and Side B 150+ bpm tunes. Across the two mixes I've tried to touch on a range of the sounds that dominated the raves: some pianos, endless stabs, some vocals, some heavyweight hardcore, some jungle tinges, and towards the end going into the darker moods that would become more dominant in 1993. Some well known cuts and some rarer ones in there too.
I think you'd be hard pressed to pick a more explosive moment in British music history than the raves of 1992. The momentum of electronic dance music was building ever stronger and reached a big bang moment in 1992, rave went from being a more underground and exclusive thing to blowing up across the country - your local leisure centre might have Grooverider playing at it on any given Saturday!
The melting pot of punters and producers became ever greater, including an influx of urban, suburban and country young guns, and I'd say the musical melting pot became the most eclectic it has ever been in dance music: so many ideas and influences thrown against the sampler wall. And a great moment of grassroots music making too - the whole industry from producers, distro, sellers, radio, events was grown from the bottom up. DIY all the way.
I think the 1992 sound, although so anthemic for those who were there, has now been slightly sidelined as the tunes are a touch out of step with modern sensibilities, modern tastes are a bit leaner and more refined. But that's the joy of 1992 - it was driven by a wide-eyed don't give a fuck and having it attitude that's hard to recreate after the fact.
Really hope you enjoy these two mixes. Big love as always to all my 92 raving gang, also to you and your raving gang, and special dedication to Class of 92 raver Neil DJ Orange Peel - RIP mate, never forgotten. If you want more there are more 1992 mixes on my blog here, here, here, and also this recent 1992 strictly Junglism one.
Back To The Future 1992 Rave Mixtape - Side A: Coming Up 130-140bpm
Southside Sessions: Bumping House & Jumping Garage
Along with a couple of friends we're starting up a new series of club nights in my patch of South London - calling these nights the Southside Sessions. The launch is a night of Garage, House and 2 Step at the Fox & Firkin in Lewisham. Hopefully that will become a regular jam, already plans afoot for a summer session with Jeremy Sylvester headlining, and we've plans to a get a Jungle & DnB night up and running at a different venue too.
So to celebrate the launch here's a promo mix of bumping and jumping house, classic uk garage, and some other boundary pushing shuffles - aiming to capture some of the range of music you might hear at the night.
Kicking off with a couple of 1993 foundational US garage tunes, moving on to a couple of later 90s bombs before rolling through some of the range of modern garage influenced tunes out there in recent times.
The Messenger - Guide My Soul (1993)
Sounds of Blackness - The Pressure (Booker T Lick) (1997)
RIP Productions - Work It (1996)
Johan S - Bogus (2019)
Soledrifter - I Said (SE Studios & Steve Seck Ruff Dub) (2020)
Jay Funk - Shout It Out (Statix Mix) (2021)
Stones Taro - Again (2021)
Marc Cotterell and Danny J Lewis - Blues For You (Rework) (2019)
Groove Skool - To A Better Place (Caution's Dub) (2020)
Bailey Ibbs - We Run (2021)
Jeremy Sylvester - Something For Your Mind (2017)
Two Tone Productions - Heavy Like Lead (2021)
Zac Stanton - Reeces Pieces (2021)
DJ Hermit - Blow The Roof Off (2018)
Johan S - Play Me Down (2018)
Billy Butler - 2020 Vision (2021)
Foundational Deep House 1987-1991 vs Fresh Deep House
A double bill of deep house: with a foundational mix from me, and a guest mix of fresh deep house from f3z.
There's so much house music that gets called deep these days, which is fair enough as there's many a way of going in, but this first mix is all about the original incarnation. Tracks full of sweet melancholy, rolling with no rush, drawing on the spirit of street soul and the logic of dub, and providing an emotional core to the endless second summer of love.
Featuring heavily are classic tunes from New York labels like Strictly Rhythm, Fourth Floor, and a big dose of the almighty Burrell Brothers driving the Nu Groove sound. Also touching a couple of Chicago tracks, from godfather of this sound Larry Heard and Robert Owens. A couple of rarer cuts in there too, including a previously unreleased instrumental version of Sha-Lor's 1987 deep anthem I'm In Love.
New York and Chicago both get some serious snow in winter, and there's something warming and fitting about this sound for the winter months. Larry Heard recalls on making his deep house anthem Can You Feel It "it was in the winter and at that time I was living in this apartment that had these really big windows, kind of a loft place, and I had a view of downtown Chicago and it was snowing. All of my friends that were over that night, they all remember that visual of the snow falling and this music playing." I love to picture that! Here's hoping this mix brightens up these dark months....
...and in response to this mix of mine, my good friend f3z has put together a mix of fresh deep house, mainly tunes from the last couple of years or so. f3z is a Leeds-based producer, DJ and club promoter who also occasionally plays alongside the eclectic Downtown Science crew, who play out across Leeds venues and beyond. Big up f3z!! Some other tasty hose and techno mixes on his mixcloud, so check them out.
Deep Winter by f3z
R U Ready 2 Jack? Fresh Acid Bombs
Will be going to the brilliant I Love Acid night at South London's Corsica Studios next week, so to get in the mood have thrown down an hour of some favourite nuskool acid and jacking house dancefloor bombs, all tunes from the last few years, though opening up with a 1988 classic from one of the Chicago founders, the mighty Mike Dunn, still going so strong to this day.
Big dedication on this mix goes out to Uncle B.o.B. who requested it - big up Ryan. Also got to send a shout out to Fez who turned me on to a couple of the tracks and a biiig thank you to the Fishfinger for helping with some technical matters. Also respects to all the I Love Aciders and the Don't headstrong. And last but not least big love to all the crew heading down x. Play it loud..
Outro: Gerd - Planet FDMX (707 Mix)
Junglism Pt.4 - Future Jungle 2017-2021
Nothing but love and respect to all the producers and labels putting out this music, and promoters putting on the nights. Got to send a big shout out to all the Distant Planet family who have been doing so much in keeping the oldskool vibe alive here in London.
Really hope you've been enjoying this mix series - if you haven't already, do check out the earlier chapters, Part 1 Proto Jungle 89-91, Part 2 Pirate Jungle 92, Part 3 Golden Jungle 93-95.
Ark X - X2LV (2019)
Junglism Pt.3 - Golden Jungle 1993-95
Part 3 of the UK Jungle mix series, this one covering the golden age of 1993-1995, when the jungle sound blew up, where the tempos of 160-170bpm got settled on, and the formulas gelled together into a tradition. That said, the line of 'what is Jungle' is always a blurry one - is a firing ambient amen Bukemesque track from the period Jungle? Or a darkcore roller? For me Yes and No. Genre names are useful but they can also be restrictive, and there are so many different moods and directions you can play a Jungle set from this period (such as this recent mix of mine focussing on loved up jungle).
What I've tried to do here is keep clear of the harder amen rinse outs, and also anything too cosmic or gurn inducing (much as I love all of that!). Going for a more bubbling vibe, with some deeper drum workouts and a couple of rarer ones in there to keep it interesting.
Next up after this, for the final mix in this series, Part 4, I'll be playing some new tunes that are reviving the jungle tradition in fine style.
160-170bpm
1. Family of Intelligence - Learning From My Brother (1993)
James Stephens, the man involved with those pivotal Noise Factory releases of 1992, here breaking new ground and creating new formulas for the Jungle sound of 1993. Jungle breaks, rare groove samples, dancehall attitude - a template of what was to come, and a step aside from anything too ravey sounding. Released on the mighty Kemet label, such an important camp for out-and-out jungle in 93 and 94. Long mixing this one with:
2. Gappa G and Hypa Hyper - Information Centre (DJ Ron Remix) (1993)
9pm Friday nights there was only one was place to be: locked in to Kool FM for DJ Ron and SL, with MCs 5ive-O and Moose. The definitive jungle radio show of all time in my opinion. Ron not only a visionary DJ, but also a massively talented producer, whose tunes, especially Canaan Land, Mo Musik, Crackman and this one here are I think masterpieces of the genre. Really clever arrangement and elements.
3. Roni Size - Fresh (1993)
1993 was the year Roni Size burst onto the scene, and this one also the first official release on Jumping Jack Frost and Bryan Gee's newly formed V Recordings - the rest is history! Still sounds so fresh this one I think.
4. White Label (1993)
Absolutely personal favourite underground white label pressure. Not that its even possible to do this in this day and age, but I'm going to keep the name on this one held back.
5. Code 071 - Ease Up Soundboy (Don Gargon Mix) (1993)
Slightly overlooked release on Reinforced Records I think, with a brilliant dreamlike breakdown in the second half, from the pair that made the classic A London Sumtin.
6. Simon Bassline Smith - Music and Life (1993)
Massive 2-track EP from Simon Smith, another enormous figure still going as strong today as thirty years ago. Both sides of this got caned. All about the power of a bassline this track. Proper vibes, seminal EP. Impossible not to long mix this right up to the breakdown.
7. Potential Bad Boy - 4 The Ladies (1993)
Another mighty release from PBB. I think this possibly one of the first ever tracks to really get that ragga-jungle thing sitting quite so neatly in the drum feel. I'm a sucker for Melody Madness on the A side, but that gets a bit hardcore in places.
8. DJ Solo - Darkage (1993)
I don't know how others see this track but for me this is probably the jungle anthem of 1993. From what I can see its never been licensed to compilations and the like, and maybe that's kept it status slightly more low key, but this was rinsed so hard at the time. Was in two minds whether to include it, as rinsed tunes can only be heard so many times, but personally I never tire of this one. Great fun to mix in and to mix out, begs to get played. All about the bassline. Every day and every night, jungle it.
9. Doc Scott - Far Away (1994)
One of the first releases on Goldie's freshly launched Metalheadz label, from the mighty Doc Scott. At first glance this might seem a mellow ambient tune, but on a system it really packs a punch and the jungle drum feel and bassline really make it come alive. Moving into a deeper section of the mix with this.
10. Smith and Mighty - Come Fly Away (Dub) (1994)
Following the theme of Far Away, flying off dubwise on this one - a unique rubadub sounding tune this I think from Bristol's Smith and Mighty.
11. Timmi Magic - Everything (1994)
Timmi Magic is best known as part of the legendary UK Garage trio Dreem Teem, but in 94 he was producing jungle, and this EP is a personal favourite. I played the other side in my recent Jungle Love mix. A lesser known record, but I think its got something special about it.
12. The Family Foundation - Express '95 (Steve Gurley Remix) (1995)
A wicked upfull jungle update on a huge tune from 92 from Foul Play's brilliant Steve Gurley.
13. Dillinja - Tear Down (Da Whole Place) (1995)
Had to include a Dillinja tune, such an important figure. This one perhaps a slightly lesser known one I guess, as much as that is possible in such a revered discography. Deep rolling.
14. Bizzy B - 16 Track Ting (1995)
Bizzy is a monster and is responsible for some of the wildest tunes to ever come out of the rave scene. By comparison to some of those tunes this one is kind of reigned in but is as powerful a tune of his as any of them. I said in the intro Id hold back from amen rippers in this mix but here's one for good measure.
15. Noodles & Wonder - Rarities (1995)
Getting to the last quarter, moving into three more soulful jams. Noodles became a big name on the UKG scene as Groove Chronicles, but was also well known for working in a range of record shops around London. This one a spot on rares-to-ragga cut.
16. Hot Steppers - Vol1 A (1995)
Undercover release from DJ SS, no doubt because of sample clearance issues. I don't care what they say, always had a big soft spot for this.
17. Dextrous - Moonlight (1995)
Unreleased rare-to-ragga jungle from King of the Jungle Dextrous. Got to send big thanks to Steph for the dubplate hook up - wicked track.
18. Andy C - Roll On (1995)
Finishing on an undisputed classic, Andy C proving that whatever year it is he can create era-defining music.